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Golmaal 3 Songs

his film needs no introduction. The Golmaal series has been superhit uptil now (though I didn't quite like the second movie). The film stars majority of the previous actors likeAjay Devgn, Kareena Kapoor, Arshad Warsi, Tusshar Kapoor and Shreyas Talpade, and we'll get to see some new faces as well this time such as Kunal Khemu, Mithun Chakraborty, Ratna Pathak, Johnny Lever, Sanjay Mishra and Vijay Pathak. (OMG! what a long starcast!).

Dabang Songs

Dabangg is an upcoming Hindi film starring Salman Khan and Sonakshi Sinha (daughter of Shatrughan Sinha) in lead roles. The film also starrs Om Puri, Dimple Kapadia, Vinod Khanna, Mahesh Manjrekar, Arbaaz Khan and Mahie Gill beside the leading pair. This film is a debut for Sonakshi Sinha as an actress and Arbaz Khan as a producer. Directed by Abhinav Kashyap, this film would be releasing on 10 September, 2010.

Badmaash Company Songs

Badmash Company songs have already been requested a lot many times, even before it's release.. So it seems, it has some catchy material.. After listening 'Ayaashi', I feel Pritamhas done a cool job.. RFAK fans watchout.. Hope you like the songs...

Housefull Songs

HouseFull is an upcoming film directed by Sajid Khan and is star packed with Akshay Kumar, Deepika Padukone, Lara Dutta, Jiah Khan, Ritesh Deshmukh and Arjun Rampal. Boman Irani and Randhir Kapoor are supporting roles in the Houseful whileMalaika Arora Khan and Jacqueline Fernandez will have special appearances in the film.

Movie review of chak de India

Chak De India

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Film: “Chak De India”
Cast: Shah Rukh Khan, Shilpa Shukla, Sagarika Ghatge, Chitrashi Rawat and others
Director: Shimit Amin
Ratings: *** 1/2

First things first! “Chak De India” is an outright winner. A triumph of the spirit, and of craftsmanship!

While director Shimit Amin of “Ab Tak Chhappan” fame has crafted a film with immense staying power and exceptional integrity and gusto, the thought-process behind the endearing endeavour harks back to a series of well-crafted Hollywood films about team spirit, the low-spirited team and the burnt-out disgraced and exiled coach who motivates the team and galvanises his own dormant spirit into a wide-alert status.

Dig in. It’s all there. And yet writer Jaideep Sahni takes the expected tale to heights of great expectations with an endearing tone of expression.

Amin turns the triumph-of-spirit formula inside out.

While narrating a fairly predictable story of a down-and-out all-girls’ hockey team’s journey into global triumph, the director brings into play a kind of abiding charisma that’s born out of a sincere passion for a neglected sport and that even more neglected spirit of collective aspirations.

A certain formulism runs through all films about seeming losers who triumph on the field against all cynicism. But beyond that elementary reading there ticks a substantial heart of gold in this tale of molten motivations.

The question of the Indian Muslim’s identity in the face of an often-suspicious majority surfaces early in the clenched narration, as Kabir Khan (Shah Rukh) is accused of selling-out a crucial game of hockey to Pakistan.

Amin and his writer don’t let you down. Every grim layer of ‘message’ is toned down and polished up to highlight and accentuate the cinematic quality without losing out on sheer relevance of the moment and its after-shocks.

The ragged bunch of girls from all over the country gather under one umbrella to give the cynics a run for their money. You watch them with a distant curiosity, which soon evolves into a keen interest in their progress report.

The game never looks contrived. And the greenroom chat is filled with punctuations of immense mirth. Happily, the film never lapses into a verbose rendering of the awakening conscience.

By the time the director and his grim protagonist get a grip over the girls’ athletic abilities and their blind spots we are completely hooked, watching not the socio-political issues but a film that pushes the envelope by taking the formula film on a jaunty journey across a craggy hockey field.

The dialogues are quite often the stuff bumper stickers are made of. “There’s room for only one goonda in this team, and that’s me,” the snarling coach tells team bully Bindiya Naik, played with instinctive strength by Shilpa Shukla.

The drama emanates in a rush of warm feelings from the interactive tensions between pairs from the team, for instance the vain Chandigarh player Preeti Sabarwal (Sagarika Ghatge) and the diminutive ‘mirchi’ from Haryana Komal Chautala (Chitrashi Rawat) or for that matter the flavourful frisson between the ostracised Kabir and the hockey federation which collectively sneers at his aspirations for the all-girls’ hockey team.

Of course, you know it’s all going to come together in a magnificent whoosh of athletic splendour at the end.

Still, you are completely hooked, enraptured and in total empathy with the girls as they head for Melbourne to bring back the gold medal for a neglected game. By the time the girls get into bordered white saris you are smiling protectively at these children from the third world.

Idealistic and dreamy? You bet! Isn’t that what cinema was always meant to be?

“Chak De India” takes us back to the joyous days of watching movies where the heroes began by being unfairly cut down to size and then progressed to being warriors of the dark night fighting their way out of the negativity that surrounds their dreams.

Several sequences stand out for their glorious grip over the grammar of cinema. The sequence at McDonald’s, where the hockey team beats up a gang of eve teasers, is so deliciously fulfilling you want to applaud the writer and director for manoeuvring the gender war into an urbane recreational zone without trivialising the larger issues involved.

In terms of the tight but unobtrusive technique applied to Amin’s narration “Chak De India” qualifies as one of the finest sports-based dramas in living memory, on par with the poignant sportsmanship of “Chariots Of Fire”, if only there was theme music to match the other film.

The editing is never cruel to the sportive spirit. We get to watch the girls playing hockey for as long as required without being subjected to redundant visual hammering.

Finally though, the film is a triumph for Shah Rukh Khan. Stripped of the lover-boy image, unadorned by the romantic props that have given his super starry image that supple longevity and power, Shah Rukh stares straight into his character Kabir’s conscience and isn’t afraid to mirror some uncomfortable home truths about how we treat our minorities, be it the Muslim Indian, the publicly active woman - watch the arrogant cricket player smirk at his hockey-playing fiancée’s dreams - or just the female gender trying to be on a par with the opposite sex.

The girls on the team remain with you after their on-field victory because there’s a far larger victory navigating their karma to a final hurrah.

Beyond the tale of the triumph of the spirit, there lies the triumph of the spirit of cinema.

After a point it doesn’t matter whether the girls are playing hockey.

It’s not the sport. It’s the spirit that shines through in every glistening frame of this tale that needed to be told before hockey became as obsolete as films about people who play to redeem their souls.

Movie review: Luck By Chance


Luck, they say, is an important factor in the film industry. But talent is equally important. Thoughtfully, Zoya Akhtar doesn’t rely on plain chance in her directorial debut but exhibits immense aptitude while largely highlighting the significance of fate in films.

Luck By Chance is the story of an aspiring actor Vikram (Farhan Akhtar) who comes from Delhi to Mumbai to make it big in films. Sona Mishra (Konkona Sen Sharma) has been struggling for more than a couple of years in B-grade cinema and wants to switch to more meaty roles.

Meanwhile film producer Rommy Rolly (Rishi Kapoor) announces a new project starring popular film-star Zafar Khan (Hrithik Roshan) alongside Nikki (Isha Sharvani), daughter of yesteryear actress Neena Walia (Dimple Kapadia).

Zafar’s exit from the project is Vikram’s entry ticket to Bollywood. Luck shines bright on him as he is short-listed for Rolly’s film and selected to play the male lead. But as he gains professional fame, his personal life goes for a toss with a failed relationship with girlfriend Sona.

The uniqueness of Luck By Chance is the cheeky spoofs it attempts on the functioning of the film industry without exaggerating the outcome (like in Nagesh Kukunoor’s Bollywood Calling ). Luck By Chance has some of the best employed cameos which are not just stuffed in for star-value but go in sync with the script. Zoya manages to pull off satire on several actors who make you laugh at their own expense (notably Mac Mohan, Sanjay Kapoor and Anurag Kashyup). Also the film-in-film setting gives ample scope for several parody pieces on Bollywood clichés.

While Bollywood is essentially employed as the backdrop of the film, it doesn’t form the backbone, with the protagonist’s character-graph taking prominence. It starts with Vikram’s self-assured struggle to get into movies, progresses with his ethical corruption resulting from fame and culminates with his remorse. However, with the rejection of his repentance, the film opts for an abrupt climax where the protagonist suddenly switches from Vikram to Sona. The movie culminates on a pragmatic note much in the Madhur Bhandarkar mould, though it evades such treatment through its run by not getting hard-hitting heavy or regressively realistic.

Nevertheless, Zoya Akhtar comes up with a taut screenplay comprising of some amusingly comic-but-credible characters. The twist in the interval point is especially noteworthy where Sona loses her chance and Vikram gets lucky. The treatment continuously alternates between humour to reality bytes but at no moment gets slapstick. The narrative even covers external factors affecting the film industry comprising of acting schools, drama-theatre, corporate studios to media houses and has interesting anecdotes on each.

Anand Subaya’s editing is crisp and he makes good use of montage mixture at several instances. The production design (Anuradha Parikh) and the costumes (Arjun Bhasin, Aparna Chandra) impart a perfect Bollywood feel to the film. The imaginatively shot opening credit song deserves a special mention for paying tribute to every uncelebrated craftsman involved in the making of a movie. Right at the onset, it defines and sets a perfect mood for the film. Shankar-Ehsaan-Loy’s musical score is engaging though a couple of songs in the second half were clearly avoidable.

Almost every character in the film has grey shades though not glorified to extreme extents. The movie reveals the double standards of industry people though not showing them in an outright negative light. The trivial scene where Hrithik as superstar Zafar is separated from the external world by his car’s glass window is a subtle metaphor for the confinements of stardom. The pre-interval confrontation between Farhan and his friends is another effective scene.

Zoya Akhtar succeeds in extracting perfect performances from each and every member of the cast. And if you think Isha Sharvani can’t act, she is used in the film to that effect. She is not supposed to act but simply look beautiful, which she does. Farhan Akhtar comes up with a natural and confident act and glides effortlessly through his role. Konkona Sen Sharma is as dependable as always and stands tall throughout the film. Rishi Kapoor gets the looks and mannerisms of his Bollywood producer character correct and is exceptionally hilarious. Dimple Kapadia is impressive as a yesteryear actress and the doting mother of her debuting daughter. Hrithik Roshan is decent in his extended special appearance.

Luck By Chance highlights how the film industry give regards to everything else but the story when making a movie and ironically weaves a fascinating story using that paradox
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DELHI 6 movie review

Cast: Abhishek Bachchan, Sonam Kapoor, Waheeda Rehman, Om Puri, Amitabh Bachchan
Directed by: Rakeysh Omprakash Mehra

Delhi 6 is a black comedy that exposes people's hypocrisy. In today's world, we are often quick to judge people, but if we look at ourselves very closely, we often find that we're not being fair to others.

Delhi 6 revolves around Roshan, a young American boy of Indian origin. He comes to India for the first time, to drop off his ailing grandmother. She wants to die in her own country, and so prepares for the inevitable.

Having led a western lifestyle, an America-born Roshan is unaware of the sights and sounds, the food and culture, the religion and beliefs that make up Indian society.

After arriving in India, he engages with his grandmother's neighbourhood. He soon mixes and becomes part of the community. But little does Roshan know that this jovial and gregarious group of people have another side to them - they have decided to take advantage of Roshan's naive nature.

The story is shown against the backdrop of the ancient city of Delhi (which is totally different from New Delhi). The city is almost a character in itself, representing the chaos of India, the people, their religions and their beliefs.

The pin code of this old city is 110006. With pride and love they call it Delhi 6.

The film puts across a message that we are quick to judge others, without seeing our own weaknesses. Delhi 6 is directed by Rakeysh Omprakash Mehra and could very well prove one of the biggest movies of 2009.